Abbas Kiarostami

Like Someone in Love
7.0

Like Someone in Love

An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty four hours bears no relation to the circumstances of their encounter.
Certified Copy
7.3

Certified Copy

In Tuscany to promote his latest book, a middle-aged English writer meets a French woman who leads him to the village of Lucignano.
To Each His Own Cinema
6.8

To Each His Own Cinema

A collective film of 33 shorts directed by different directors about their feeling about cinema.
Ten
7.5

Ten

2002

Ten

A visual social examination in the form of ten conversations between a driving woman and her various pick-ups and hitchhikers.
The Wind Will Carry Us
7.6

The Wind Will Carry Us

Irreverent city engineer Behzad comes to a rural village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
Taste of Cherry
7.7

Taste of Cherry

A middle-aged Tehranian man, Mr. Badii is intent on killing himself and seeks someone to bury him after his demise. Driving around the city, the seemingly well-to-do Badii meets with numerous people, including a Muslim student, asking them to take on the job, but initially he has little luck. Eventually, Badii finds a man who is up for the task ...
Lumière and Company
7.0

Lumière and Company

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes. The results run the gamut from ...
Through the Olive Trees
7.8

Through the Olive Trees

The film focuses on one of the events in "Life, and Nothing More..." (1992), and explores the relationship between the film director, and the actors. The local actors play a couple who got married right after the earthquake. In reality, the actor is trying to persuade the actress that they should get married.
Life, and Nothing More…
8.0

Life, and Nothing More…

After the earthquake of Guilan, a father and his son, Puya, travel to the devastated area to search for the actor of the film that made there a few years ago, "Where Is My Friend's House?" (1987). In their search, they found how people who had lost everything in the earthquake still have hope and try to live life to ...
Close-Up
8.3

Close-Up

This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.
Homework
8.0

Homework

Homework (Mashgh-e Shab) is a documentary Abbas Kiarostami directed in 1989 after realizing he was having difficulties assisting his son with his homework. Kiarostami interviewed young male students at a local school to find out what kind of problems kids faced completing their homework, which in Iran requires a great deal of parental assistance (or did at the time).